So its the Olymics. And its been really fun. Lots of running, jumping, dancing, spitting, shaggin, shitting, fucking, cumming and winning.....
If our Olympic team were musicians, who would they be? This post is dedicated to the men and women who fight for our country on a daily basis in the cafes, bars, restaurants, hotels, B&B's and health clubs. Without you, we wouldnt have the ability to sit down, drink, and talk about utter shite.
Sir Chris Hoy - The Beta Band
He is scottish and so are they. He is amazing at what he does and so were they. But if i met him in the street i would think, this guy is so Texas/Travis
Wiggo - Weller.
Obvious I know. I could of done some research to refresh my mind but fuck that, this guy is Weller. At least thats what the BBC have been telling me.
Victoria Pendleton - Honey Honey.
This has more to do with looks cos Vic is a belter and so is the lead singer in this violin sporting band. No jokes. I just wanna massive cuddle off em
Jess Ennis - Damon Albarn.
May sound weird, but Jess does EVERYTHING and Damon is trying to do everything. Brit Pop, rock n roll, rap, dance, orchestra shit, plays, fuckin......they will both probably have there own bag of crisps out by the end of the year.
Di Green - Stereophonics.
They are both Welsh and both of them only have one discipline
The Rowing Team - Pink Floyd.
The lot of em are toffs but fuck me they are brilliant
Oggogo (the boxer) - Wham, Pick Me Up Before You Oggogo.......or.......Einstein.
You pick which shit choice you want
The Football Teams - Razorlight.
I dont know why, but my guess is they are all wank.
Phillip Edouwho - Sisquo.
One massive hit each but they have been beauts ever since, with the same hair and both destined for the Big brother house.
Zara phillips - coldplay or muse.
bland and established. Basically. Or maybe Queen? but thats to obvious.
Dwain Chambers - Any Rock'n'Roll star worth there salt would get done for drugs and then be alound back in to perform, so basically Dwain wins. Even tho he will finish 6th or something. A bit like every decent band ever, or if your the Velvet Underground, 104th.
This could be anything you want it to be. As of right now, its nothing. An empty vessel of bad grammar littered with doubt.
RIGHT THEN!
Wellity wellity wellity, if it isnt Blogger! The forgotten website amongst my list of favourites.
How have you been?
I thought I should stop by, say a few words while im here, and see what the crack is.
3 months is a long time inbetween posts, so forgive me if i repeat things I may have already mentioned.
Im not really sure where to start, so heres a song.
Its the new single by Tame Impala! And, its pretty effing good if you ask me.
Over 200k hits on youtube suggests to me that since they first popped up on my radar 2 or 3 years back, they have caught the attention of quite a few other sad mother fockers who love nothing more than re-hashed 60's psych rock'n'roll. Hazzar!
Hopefully there 2nd album, Lonerism, will make some big waves when its released in October and I wont be "a loner"........
Fucks sake......
Sorry.
A band not making as big an impact on the youtube world as those pesky Australians, are The Magic Castles.
They are another throw back to the whimsicle era of the 1960's. Chock full of plinky plonky twangy guitar, tons of feedback and a hazy fucked up vibe goin on, they could nestle in quite nicely with Tame Impala. Kind of like there more laid back American 2nd cousins....or something.
Anyway, they have just released there first album on Anton Newcomes A records. Its basically all there EP's put on 1 disc.....but its great.
Check out the melody
Speaking of Anton Newcombe, I saw The Jonestown live in Manchester the other week.
Its the 2nd time I have seen them live, and both times I have come away thinking its the best show I have ever seen.
The HMV Ritz was packed to the rafters, full of people from all walks of life. Haggard old hippies were rubbing shoulders with young student types, all coming together as one to go FUCKING MENTAL for a band that still to this day can shock, suprise and excite those willing to give them a chance.
The gig was superb. The band played stuff from nearly every album they have released, including 3 or 4 new songs from there latest long player "Aufheben", which has to be said, is there best album in 10 years and very much a contender for album of the year.
Below is a clip of the gig which gives you an idea as to what the atmosphere was like, a beautiful mixture of peace, love, intensity, anger and dedication.
The band gave the people what they want and in turn the people responded by showering them with huge applause, flowers and on a few occasions, beer (you will see what i mean below).
Anyway, fuckin brilliant gig.
Its actually been an amazing few months as far as gigs go.
I may of already mentioned I saw The War On Drugs in Liverpool? If not, i did. At the Kazamier (i think thats how its spelt?). Its next door to Cream.
Anyway, if you ever get a chance to catch these lot, they put on a brilliant gig. A mixture between Bruce Springsteen and Krautrock. Great little venue to. Just sayin....
But it has to be said, I dont think anything could prepare me for what I saw at the start of June.....
THE STONE ROSES - LIVE - IN AMSTERDAM
That happened.
Im still not sure how, but I was in Amsterdam, unaware the Roses were playing a few warm ups before there gigantic weekend in manchester.
I was extremely hungover after watching England draw 0-0 with france in our opening game of Euro 2012 (which feels like years ago doesnt it?).
The sun came beaming through my window and I lay there for a good 5 minutes, trying to decide if I was going to get up and meet my mate at the station at 9am like we had arranged, or if i was gonna just stay in bed and sleep off the Amstel & Kali Haze.
I eventually grew a dick and dragged my haggard body out into the sunshine to make the 10 min walk to the station.
I was still unaware at this stage that I was living one of the best days of my life.
I met jamie at the station and we strolled back to the apartment.
Jamie explained to me how he nearly missed the plane, and I might be making this up, but im sure he told me he fell over while running to catch it and hit his head on the floor. And how his pants ripped infront of a dead fit chinese bird while he was walking up the steps, and as they ripped, he farted and some poo actually came out, through the whole he had ripped, and into the fit girls mouth because she was yawning at the time because jamie had just told her the story about him nearly missing the plane.....
Anyway, I might of got confused with a different conversation, but after he had told me about all of this he started bangin on about the people on the plane all wearing Stone Roses T-shirts.
As Jamie got talking to some of these people, it soon dawned on him that they were all going to a gig. A Stone Roses gig.
"arent you going mate?" they asked him. "Why are you going Amsterdam and not seeing the Roses when they are playing?"
Jamie, who is 42, remembers the Roses in there pomp, but never got to see them.
"WHEN THE FUCK ARE THEY PLAYING?" he asked.
"Tonight" came the reply.
It was at this moment in the story that I cut him off.
"The Stone Roses are playing in Amsterdam? Tonight? Where? When?"
Jamie didnt know the details, so we picked up our pace and ran up the stairs to the apartment.
"Get the fuckin internet on, now!" I yelled.
I probably didnt yell, I probably didnt say anything, just kind of strolled in like a nob ed and turned on my laptop.
I then probably made the lads guess what news me and jamie had heard, which would of really annoyed everyone.
So while everyone was trying to humour me and my stupid guessing game, I went onto the dutch ticketmaster website in search of confirmation.
And there it was.
In black and white.
The Stone Roses live, at the Heineken Music Hall. Tickets - available.
This was when I confirmed to everyone what was about to happen.
I was about to buy tickets for the 4 of us to go and watch a band we had grown up idolising, but thinking we would never ever see perform as a group.
The tickets were bought.
We double checked them.
Tripple checked them.
It was them.
It wasnt the Clone Roses.
It wasnt Ian Browns travelling band.
It was Ian, John, Mani & Reni.
And we were going to see them that night.
Beers were cracked open. A joint was rolled. High fives all round.
As we let the realisation sink in, we went straight to the pancake house to get some breakfast. Bacon and syrup pancakes have never tasted so damn good.
The rest of the day is a blur. I was spent touring The Dams many pubs bars and coffeeshops before catching the train to the venue which is right outside The Ajax Arena, about 10 miles outside of the city centre.
Im not sure I can explain in words what happened for the rest of the day, so Im not going to try.
I saw The Stone Roses live.
Thats me done for the time being.
Oh, and Alan McGee is following me on Twitter. Rock and fuckin roll.
A new post talking about new albums - Spiritualized, Jack White, BJM, Ty Segall & WHite Fence, Magic Castles, The Dandy Warhols
Now then now then, Blogger has gone and changed its layout which has thrown me off course. I have started very slowly with this new post as I am finding my way round the new site. It shouldn't of bothered me this much, but I couldn't stop looking at the new features which tell me how many visits the blog has had etc.
Nearly 3000 views which aint to bad at all. Its probably a really small number compared to other blogs, but the only other blog I can compare it to is my movie blog, "Your tearing me apart Lisa" which has a pathetic 400 views, so based on that "Sitar" is doin very well - so cheers!
Now im going to say a few things about some new albums.
First of all, Spiritualizeds latest album "Sweet Heart Sweet Light" has been released. I blogged about my first listen which you can read somewhere on here.
I liked it on first listen and spent the next few days rinsing the shit out of it.
Unfortunately it doesn't have much staying power. The songs I liked began to grate on me and the ones that didnt hit the spot on first listen have failed to make any further impact. This is probably my own fault for playing "Hey Jane" on repeat for 5 days straight. Listening to a 10 minute song over and over again can end up sending you mad. Dont do this, show it some respect! I did this to about 4 songs on the album and im gonna have to take a break from it until I listen to it again.
Its by no means a bad album, in fact its pretty good, it is however quite hit and miss and doesnt really bring anything new to the table. Its a decent enough Spiritualized album. Nothing more nothing less.
I will say this though, it might be there most accessible album for newbies. There is a decent mix of massive anthems layered with strings and choirs and electric guitar freak outs that wont scare to many people away.
If I was you though, go with "Ladies & Gentleman We Are Floating In Space". This is a bonafide classic and still remains Jason Pearces best bit of work.
Jack White has released Blunderbus, his first solo album.
Jacks body of work is something quite special. Everyone knows the White Stripes were amazing. They made blues rock'n'roll mainstream during a time when we were surrounded by auto-tune pop and guitars were looked upon with disdain.
His 2 other projects, The Raconteurs and Dead Weather, have for the most part been a great success.
Although neither of the two side projects scaled the same dizzying heights as The White Stripes, the tunes were there.
By having the motivation and talent to front 3 bands while keeping the creative spark alive and at a consistently high level, a solo album would be a pice of piss, right?
And thankfully, although it probably wasnt a peace of piss, Blunderbus is another extremely strong outing for Jack White.
There are no obvious bangers on here, nothing getting close to the almighty riffs we got from The 'Stripes, but 13 extremely well crafted songs that vary from straight out blues to other worldly country.
Its an extremely honest off loading of emotions that you would expect centres around the break up of The 'Stripes, and considering this is Whites 12th album, its quite an achievement that its such a pleasure to listen to.
The Brian Jonestown Massacres latest album, Aufheben, was recently streamed on Spotify ahead of its release and its without question the bands best work since the early naughties.
Its a sprawling apololiptic, druggy party album. It might not be everyones cup of tea (what is?), but its a fantastic realisation of someones idea.
Its hard to place this album under one particular genre. Its new and old, scary and happy, rocking and chilled out, all at the same time and mixes the early blues rock sound of The BJMs earlier work with the dance groove beats that filtered into there music this century. Below is one of the more mellow tracks from the album which is currently being included in there live set.
Speaking of The BJM and Anton, recently "Magic Castles" signed to his label "A records" and have released there debut as a signed band.
The album is self titled and is a gorgeous listen from start to finish. Its everything you would expect from a band signed by Anton. Layers upon layers of feedback and fuzz giving the entire mix a dreamy, laid back, very '60s sound. Alot of these bands that embrace this particular sound start off sounding great but then on repeated listens it becomes obvious they are just poor imitators of not only BJM, but that entire genre. Bands like The Stevenson Ranch Davidions, The Black Ryder and Secret Machines are examples of bands that have been very much influenced by fuzzy 60's psychedlia that boarder on being imitators of the sound, rather than taking inspiration and building on it.
Tame Impala, Ty Segall and Asteroid #4 are examples of how to get it right, and Magic Castles can rub shoulders with these guys.
And that brings me on nicely to Ty Segalls latest bit of work. This time he has teamed up with White Fence (as in Tim Presley, lead singer/songwriter of Darker My Love - White Fence is what he goes by away from the band). Its a short but engaging slice of garage rock/60's psych that channels the likes of Donovan, George Harrison and Nuggets favourites such as The Standells.
Other releases include Graham Coxon and The Dandy Warhols, neither of which I have listened to yet.
I recently heard a track from The Dandys new one and was less than impressed. I think its fair to say that I enjoyed there first 3 albums but since then there musical output has gone seriously downhill. I just cant get on board with there yuppyish ways and there weird take on 60's psych and 90's rock.
Sorry, but this just aint that great, is it?
It might be his voice. It really grates on me thesedays, especially when its on extremely average tunes.
Im so bored of this particular blog im gonna stop.
Next time i might talk about something different, like how to learn the recorder in one day. Not that I know how thats possible, but I can certainly write about it.
Give at least one of those albums a go, theyre all pretty decent. Do it. Do it.
Spiritualized "Sweet Heart Sweet Light" - first listen
Jason Pearce' Spiritualized have a new album out in a weeks time. It will be the first album since 2008's "Songs In A&E" which was recorded while Pearce was receiving chemotherapy for degenerative liver disease. This was after he had spent a long stint in hospital in 2005 after suffering double pneumonia. His emotional and physical state was there to hear, his pain came across which had most people thinking that this was indeed the end.
However, in 2010 Pearce returned by playing his classic 1997 cut "ladies & gentleman We Are Floating In Space" in its entirety on a UK & US mini tour.
It was around this time he began work on "Sweet Heart Sweet Light".
Never someone to stray away from the influence his drug habit/s have on his life and art, his music has always been a mixture of overwhelming joy and eternal doom with a running theme of embracing and rejecting faith and jesus christ. This album is no different, but now that Pearce finds himself in a much healthier place, the end result is something quite different to what many may of expected...
You can listen to the album HERE
Hey Jane - A simple but massive Rock'n'Roll tune clocking in at 9 minutes. It comes to a close after 4, but then rouses again into full throttle exciting chanting, not to dissimilar to Blurs "Tender".
Little Girl - Pearces singing sounds stronger than on previous album "Songs in A&E". You know when the changes are coming in this one. It sounds like a Richard Ashcroft song, not a Verve song, an Ashcroft one (which is either a good thing or really really bad!).
Get What You Deserve - Well so far it would appear that Pearce is in a more positive place than he was a few years ago. The same underlying current of doom remains, but the huge drums and strings that were so prominent in his earlier Spiritualized work is back. Not one acoustic number yet. This is more of a slow burner than the opening 2 tracks and climaxes with outrageous feedback and swirling distortion leading us into track 4....
Too Late - ...Which is the first slow number we have. Very similar melody to Lord Let It rain on me from "Amazing Grace". VERY similar. A bit to close for comfort to be honest. Its a lovely song by itself, but anyone familiar with Spiritualizeds back catalogue will no doubt hear the similarity. I'm actually singing the Lord Let It Rain lyrics along with this tune as I listen. The string arrangement is lovely though.
Heading For The Top - Now we're talkin. Bluesy keys, tons of feedback and a massive guitar riff start things off. A crescendo of drums and bass fills in the spaces and then Pearce lends his voice to complete this 6 minute epic that builds up into a frenzy of uplifting, powerful feedback, strings, religious chanting and harmonies. Highlight of the album so far.
Freedom - Another slow ballad. nice enough, but meh..
I Am What I Am - A funky bass line and pounding drum lead the way with Pearce rambling over the top joined by female bluesy back vocals. More pounding piano and distorted sax joins the mix and we have the dirtiest sounding thing Pearce has done in years. What Pearce has always been able to do from his days with Spacemen 3 all the way up to now, is make a simple 2 or 3 chord progression sound exciting and fresh even though its the same 3 chords we were hearing from him 20 years ago.
Mary - I got bored half way through this one. Its a great vocal from Pearce but I think it was a bit over done in the studio. This one could of worked if it had been stripped down but instead its overloaded with strings.
Life Is A Problem - Jesus heavy. Pearce is begging Jesus to lead him the way to a better life, or just a better place. Its hard to know whether Pearce is literal in his meaning of Jesus. Is he openly showing his colours as a Christian or is Jesus simply a metaphor for something that can save him? i guess only he knows, but this is an out and out cry for help.
So long You Pretty Thing - Opening as a duet between Pearce and his 11 year old daughter until the organs piano and soft drums and more interestingly, a banjo, come into the mix. Its then back to asking the lord and jesus for help.
Just when you thought it was ending on a flat line the whole thing erupts. Its an epic finale, it really is.
"So long you pretty thing, god save your little soul, the music that you played so hard aint on your radio, and all your dreams of diamond rings and all of rocknroll could bring you, so long, so long"
On first listen its a mixed bag. When its good, its really really good. But when its not, it does fall a bit flat but thankfully these moments arent long lived.
Its been a long 4 years but thankfully its been worth the wait and Jason Pearce and Spiritualized have released one of the most heartfelt and emotional albums your likely to hear this year.
However, in 2010 Pearce returned by playing his classic 1997 cut "ladies & gentleman We Are Floating In Space" in its entirety on a UK & US mini tour.
It was around this time he began work on "Sweet Heart Sweet Light".
Never someone to stray away from the influence his drug habit/s have on his life and art, his music has always been a mixture of overwhelming joy and eternal doom with a running theme of embracing and rejecting faith and jesus christ. This album is no different, but now that Pearce finds himself in a much healthier place, the end result is something quite different to what many may of expected...
You can listen to the album HERE
Hey Jane - A simple but massive Rock'n'Roll tune clocking in at 9 minutes. It comes to a close after 4, but then rouses again into full throttle exciting chanting, not to dissimilar to Blurs "Tender".
Little Girl - Pearces singing sounds stronger than on previous album "Songs in A&E". You know when the changes are coming in this one. It sounds like a Richard Ashcroft song, not a Verve song, an Ashcroft one (which is either a good thing or really really bad!).
Get What You Deserve - Well so far it would appear that Pearce is in a more positive place than he was a few years ago. The same underlying current of doom remains, but the huge drums and strings that were so prominent in his earlier Spiritualized work is back. Not one acoustic number yet. This is more of a slow burner than the opening 2 tracks and climaxes with outrageous feedback and swirling distortion leading us into track 4....
Too Late - ...Which is the first slow number we have. Very similar melody to Lord Let It rain on me from "Amazing Grace". VERY similar. A bit to close for comfort to be honest. Its a lovely song by itself, but anyone familiar with Spiritualizeds back catalogue will no doubt hear the similarity. I'm actually singing the Lord Let It Rain lyrics along with this tune as I listen. The string arrangement is lovely though.
Heading For The Top - Now we're talkin. Bluesy keys, tons of feedback and a massive guitar riff start things off. A crescendo of drums and bass fills in the spaces and then Pearce lends his voice to complete this 6 minute epic that builds up into a frenzy of uplifting, powerful feedback, strings, religious chanting and harmonies. Highlight of the album so far.
Freedom - Another slow ballad. nice enough, but meh..
I Am What I Am - A funky bass line and pounding drum lead the way with Pearce rambling over the top joined by female bluesy back vocals. More pounding piano and distorted sax joins the mix and we have the dirtiest sounding thing Pearce has done in years. What Pearce has always been able to do from his days with Spacemen 3 all the way up to now, is make a simple 2 or 3 chord progression sound exciting and fresh even though its the same 3 chords we were hearing from him 20 years ago.
Mary - I got bored half way through this one. Its a great vocal from Pearce but I think it was a bit over done in the studio. This one could of worked if it had been stripped down but instead its overloaded with strings.
Life Is A Problem - Jesus heavy. Pearce is begging Jesus to lead him the way to a better life, or just a better place. Its hard to know whether Pearce is literal in his meaning of Jesus. Is he openly showing his colours as a Christian or is Jesus simply a metaphor for something that can save him? i guess only he knows, but this is an out and out cry for help.
So long You Pretty Thing - Opening as a duet between Pearce and his 11 year old daughter until the organs piano and soft drums and more interestingly, a banjo, come into the mix. Its then back to asking the lord and jesus for help.
Just when you thought it was ending on a flat line the whole thing erupts. Its an epic finale, it really is.
"So long you pretty thing, god save your little soul, the music that you played so hard aint on your radio, and all your dreams of diamond rings and all of rocknroll could bring you, so long, so long"
On first listen its a mixed bag. When its good, its really really good. But when its not, it does fall a bit flat but thankfully these moments arent long lived.
Its been a long 4 years but thankfully its been worth the wait and Jason Pearce and Spiritualized have released one of the most heartfelt and emotional albums your likely to hear this year.
Some words on The Brian Jonestown Massacre
Over 20 years ago, Anton Newcombe formed the band that came to be known as The Brian Jonestown Massacre. For 2 decades Anton has lead this musical force through almost every Rock'n'Roll cliche imagineable. From break ups to bust ups, onstage fights and drug addiction, cancelled shows and walk offs - The BJM have been there, done it, survived it and then done it again.
There reputation as "bad guys of rock" was cemented when the 2004 documentary Dig! was released which chronicled the bands progress throuh 6-7 years. We saw the band at there very worst, but in a strange way this was seeing a band at there best. The band were laid bare for all to see. We could enjoy the madness and appreciate the genius.
Bands like this dont come along to often.
Sure, other bands and artists have gained much more in terms of critical acclaim/album sales etc, and other bands have matched the BJM in terms of outlandish rock'n'roll behaviour, but what The BJM, but Anton in particular, have over these other acts is a vision and motivation to move things forward.
The BJM are a throwback, there is no denying that. There most popular songs are Rolling Stones influenced blues rock featuring catchy hooks and memorable melodies. The 60's is everywhere in there music. The progressive, other worldly sound, The 2 minute pop songs, The use of 60's song titles reworked. Fuck, there last album was called who killed sgt pepper!
But this works.
The 60's was a time when nothing was impossible. It was a time when people could dream and those dreams could come true. Music progressed at a light speed and peoples attitude to politics, race, religion, peoples rights, sex, drugs and science seemed to develop and move forward at a rapid rate.
We went to the moon in the 60's using technology that today would be used to power a bog standard calculator school children deface every day in class. Thats what can happen when someone has an idea and makes it happen.
So it makes sense that Anton and The BJM are influenced by this period of time.
We are talking here about a band that was at the forefront of the shoegaze scene in the early 90's and one of the first to use the internet in the ways its used today.
Before Napster became a big deal and before it was closed down, Anton was sharing his music with anyone who "got it". Anton posted his entire discography on his website way back in the late 90's making all his music available to download and share for free.
He has never and probably will never "play the game" the way that "they" expect you to. Its one of the reasons his music will never get played on mainstream TV/radio, but its one of his main strengths to. By not towing the company line his record labels expected him to do (anoton now has his own indie label "a" records) has given him the freedom to do things his way.
Anton and the BJM were one of the first bands to be on MySpace, other bands were on it but Anton actually put his music on there free for everyone.
By doing this and allowing people to hear his music, Anton has opened up an entire new world of music for people that may not of known existed. Anton has created a scene that has now spread accross the globe; from bands like BRMC and The Warlocks from America, Anton has moved to GErmany & Iceland to help develop bands such as The Blue Angel Lounge & Dead Skeletons.
At the forefront of his scene is the message "Keep Music Evil" - the moniker from which i guess Anton lives his life. Keep Music Evil is a community of bands, artists, fans, writers and everyone inbetween who buys into Anton and The BJMS outlook on what music and art should be, a true expression of ones self.
Its the polar opposite of todays music scene. Its an escape from the mainstream that has become so terrifyingly polished and media driven that has seen the artistic vision disapear without trace.
i could be angry that radio,television and cinema are not only shallow and perhaps even toxic in their banality,maybe even feel pains of sadness for young people knowing that they will never have a chance to grow in an open minded stimulating enviroment full of exploration,and examples personal freedom...but you know what? the way it is is the way it is wanted...it's not like 10 year olds are demanding lady gaga and justin beiber...no,this is by design.you can not want for other what they do not want for themselves.
In 3 weeks time Anton & The BJM will release there 12th studio album; Aufheben.
An album which has been shared with the watching public over the last 18-24 months via Antons online live TV station - DeadTV. Yeah, he has his own TV show. Bono doesnt have one of those.
We have watched Anton in the studio recording, writing and producing this album from day 1. He has taken us on a journey with these songs, sharing his vision and how he gets there with everyone who is bothered to watch.
Every demo, every idea has been posted online publicly for everyone to comment on and get involved with. This has been another step forward as far as creating and recording music.
He isnt going to ask his fans to "pay what they want" - he was giving it away for free 15 years ago. He isnt going to ask his fans to pick the tracklist, people have been making mix tapes for 30 years. Hes going to do something new, and hes going to move things forward by inviting us into the process. We wont have a say on the final product, but we will of been a part of it.
What that final product is is yet to be heard, but the mixture of the old and new was there to be heard on the youtube demos.
We have a perfect blend of the electronic beats from the last album, the bluesy guitar from the early 90's, the experimental eastern/european vocals of the early naughties EP's and a menacing yet beautiful vibe that could be heard on the debut, Methodrone (yeah thats right, that drug that became trendy last year was the name of Antons debut in 1992)
Hes ahead of the game and its up to everyone else to catch up.
Chances are he will be too far ahead by the time people begin to realise, I just hope that the next generation can see through the glossy mess of The Xfactor and everything that goes with that, so bands like The BJM can influence a better musical future.
Either that - or use the technology we have at our disposal to actually DO something, rather than spying on each other or blowing the shit out of our planet. Just an idea.
Aufheben is released on May 1st
The BJM will be playing live this summer
07/07/2012 Shepherds Bush Empire, London
08/07/2012 The Ritz, Manchester
09/07/1012 o2 Academy, Birmingham
There reputation as "bad guys of rock" was cemented when the 2004 documentary Dig! was released which chronicled the bands progress throuh 6-7 years. We saw the band at there very worst, but in a strange way this was seeing a band at there best. The band were laid bare for all to see. We could enjoy the madness and appreciate the genius.
Bands like this dont come along to often.
Sure, other bands and artists have gained much more in terms of critical acclaim/album sales etc, and other bands have matched the BJM in terms of outlandish rock'n'roll behaviour, but what The BJM, but Anton in particular, have over these other acts is a vision and motivation to move things forward.
The BJM are a throwback, there is no denying that. There most popular songs are Rolling Stones influenced blues rock featuring catchy hooks and memorable melodies. The 60's is everywhere in there music. The progressive, other worldly sound, The 2 minute pop songs, The use of 60's song titles reworked. Fuck, there last album was called who killed sgt pepper!
But this works.
The 60's was a time when nothing was impossible. It was a time when people could dream and those dreams could come true. Music progressed at a light speed and peoples attitude to politics, race, religion, peoples rights, sex, drugs and science seemed to develop and move forward at a rapid rate.
We went to the moon in the 60's using technology that today would be used to power a bog standard calculator school children deface every day in class. Thats what can happen when someone has an idea and makes it happen.
So it makes sense that Anton and The BJM are influenced by this period of time.
We are talking here about a band that was at the forefront of the shoegaze scene in the early 90's and one of the first to use the internet in the ways its used today.
Before Napster became a big deal and before it was closed down, Anton was sharing his music with anyone who "got it". Anton posted his entire discography on his website way back in the late 90's making all his music available to download and share for free.
He has never and probably will never "play the game" the way that "they" expect you to. Its one of the reasons his music will never get played on mainstream TV/radio, but its one of his main strengths to. By not towing the company line his record labels expected him to do (anoton now has his own indie label "a" records) has given him the freedom to do things his way.
Anton and the BJM were one of the first bands to be on MySpace, other bands were on it but Anton actually put his music on there free for everyone.
By doing this and allowing people to hear his music, Anton has opened up an entire new world of music for people that may not of known existed. Anton has created a scene that has now spread accross the globe; from bands like BRMC and The Warlocks from America, Anton has moved to GErmany & Iceland to help develop bands such as The Blue Angel Lounge & Dead Skeletons.
At the forefront of his scene is the message "Keep Music Evil" - the moniker from which i guess Anton lives his life. Keep Music Evil is a community of bands, artists, fans, writers and everyone inbetween who buys into Anton and The BJMS outlook on what music and art should be, a true expression of ones self.
Its the polar opposite of todays music scene. Its an escape from the mainstream that has become so terrifyingly polished and media driven that has seen the artistic vision disapear without trace.
i could be angry that radio,television and cinema are not only shallow and perhaps even toxic in their banality,maybe even feel pains of sadness for young people knowing that they will never have a chance to grow in an open minded stimulating enviroment full of exploration,and examples personal freedom...but you know what? the way it is is the way it is wanted...it's not like 10 year olds are demanding lady gaga and justin beiber...no,this is by design.you can not want for other what they do not want for themselves.
In 3 weeks time Anton & The BJM will release there 12th studio album; Aufheben.
An album which has been shared with the watching public over the last 18-24 months via Antons online live TV station - DeadTV. Yeah, he has his own TV show. Bono doesnt have one of those.
We have watched Anton in the studio recording, writing and producing this album from day 1. He has taken us on a journey with these songs, sharing his vision and how he gets there with everyone who is bothered to watch.
Every demo, every idea has been posted online publicly for everyone to comment on and get involved with. This has been another step forward as far as creating and recording music.
He isnt going to ask his fans to "pay what they want" - he was giving it away for free 15 years ago. He isnt going to ask his fans to pick the tracklist, people have been making mix tapes for 30 years. Hes going to do something new, and hes going to move things forward by inviting us into the process. We wont have a say on the final product, but we will of been a part of it.
What that final product is is yet to be heard, but the mixture of the old and new was there to be heard on the youtube demos.
We have a perfect blend of the electronic beats from the last album, the bluesy guitar from the early 90's, the experimental eastern/european vocals of the early naughties EP's and a menacing yet beautiful vibe that could be heard on the debut, Methodrone (yeah thats right, that drug that became trendy last year was the name of Antons debut in 1992)
Hes ahead of the game and its up to everyone else to catch up.
Chances are he will be too far ahead by the time people begin to realise, I just hope that the next generation can see through the glossy mess of The Xfactor and everything that goes with that, so bands like The BJM can influence a better musical future.
Either that - or use the technology we have at our disposal to actually DO something, rather than spying on each other or blowing the shit out of our planet. Just an idea.
Aufheben is released on May 1st
The BJM will be playing live this summer
07/07/2012 Shepherds Bush Empire, London
08/07/2012 The Ritz, Manchester
09/07/1012 o2 Academy, Birmingham
N.W.A - what were they yellin?
When me and my posse stepped in the house
All the punk-ass niggaz start breakin out
Cause you know, they know whassup
So we started lookin for the bitches with the big butts
Like her, but she keep cryin
"I got a boyfriend" Bitch stop lyin
Dumb-ass hooker ain't nuttin but a dyke
Suddenly I see, some niggaz that I don't like
Walked over to em, and said, "Whassup?"
The first nigga that I saw, hit em in the jaw
Ren started stompin em, and so did E
By that time got rushed by security
Out the door, but we don't quit
Ren said, "Let's start some shit!"
I got a shotgun, and here's the plot
Takin niggaz out with a flurry of buckshots
Boom boom boom, yeah I was gunnin
And then you look, all you see is niggaz runnin
and fallin and yellin and pushin and screamin
and cussin, I stepped back, and I kept bustin
And then I realized it's time for me to go
So I stopped, jumped in the vehicle
It's like this, because of that who-ride
N.W.A. is wanted for a homicide
Cause I'm the type of nigga that's built to last
Fuck wit me, I'll put my foot in your ass
See I don't give a fuck, cause I keep bailin
Yo, what the fuck are they yellin?
All the punk-ass niggaz start breakin out
Cause you know, they know whassup
So we started lookin for the bitches with the big butts
Like her, but she keep cryin
"I got a boyfriend" Bitch stop lyin
Dumb-ass hooker ain't nuttin but a dyke
Suddenly I see, some niggaz that I don't like
Walked over to em, and said, "Whassup?"
The first nigga that I saw, hit em in the jaw
Ren started stompin em, and so did E
By that time got rushed by security
Out the door, but we don't quit
Ren said, "Let's start some shit!"
I got a shotgun, and here's the plot
Takin niggaz out with a flurry of buckshots
Boom boom boom, yeah I was gunnin
And then you look, all you see is niggaz runnin
and fallin and yellin and pushin and screamin
and cussin, I stepped back, and I kept bustin
And then I realized it's time for me to go
So I stopped, jumped in the vehicle
It's like this, because of that who-ride
N.W.A. is wanted for a homicide
Cause I'm the type of nigga that's built to last
Fuck wit me, I'll put my foot in your ass
See I don't give a fuck, cause I keep bailin
Yo, what the fuck are they yellin?
The Shins & Nas. Best buds
The Shins new album, Port Of Morrow, is out to purchase. I think it was released today. It might be next week? Either way, ive heard it and will therefor offer my opinion on it...
I may or may not of mentioned in an earlier post that im quite fond of The Shins.
They were the first of there breed - soundtrack friendly gay folk rock - which has inspired the likes of The Fleet Foxes and other softys.
So fair doos.
But its been 5 years since the Shins released an album. Thats a long time to be out of the game.
A long long time.....
5 years. The Stone Roses waited little over 5 years to release there second album and it bombed. Dr Dre has waited over a decade to release his 3rd album, and its already bombed.
They are the only 2 examples I can think of at the minute, but what im gettin at is that the longer you leave something the chances are you have a longer period of time to fuck it up.
And thats what The Shins have done.
The whole album sounds clean, safe, poppy and just a bit crap.
There are some nice little melodies knocking around , which you expect from this band, but they lack the slight edge that was a permanent fixture on past releases.
On there first 3 long players you got the feeling of excitement and adventure, and you were happy to be taken along for the ride. On Port Of Morrow you are bored of the journey after 3 or 4 songs.
The reason for this is unclear but I would suggest the departure of founding band members and using a producer whose best work has come in the form of Lily Allens "The Fear".
And maybe the songs just arent there? Even if all the slick production is stripped away, im not sure that this collection of tunes stands up on its own when put side by side next to there earlier work.
Its an album you find yourself wanting to like but ultimately giving up on it because when you listen to the Shins, it shouldnt be hard work. It should be effortless, easy and just, i dunno, "nice".
Port Of Morrow is like watching an episode of The US Office without Steve Carrell as the lead. Its still almost the same, there are some good moments that keep you watching, but you cant shake the nagging feeling that what your watching/listening to isnt as good as it once was.
I wouldnt say its a bad album, but its far from being good and it will take something quite drastic to make me want to listen to it again anytime soon. It probably deserves another chance to tap into my head, but im not in a giving mood and so The Shins can kindly fuck off for the time being.
I have just read Pitchforks review of this album, and they seemed to really like it. But what struck m about the review was the opening paragraph that listed several major events that have happened in the last 5 years. This particular line was interesting, "Pop music headed out to the club, mainstream hip-hop more or less went bust..."
I would of agreed with them had I not just listened to this, Nas' new tune. Enjoy.
I may or may not of mentioned in an earlier post that im quite fond of The Shins.
They were the first of there breed - soundtrack friendly gay folk rock - which has inspired the likes of The Fleet Foxes and other softys.
So fair doos.
But its been 5 years since the Shins released an album. Thats a long time to be out of the game.
A long long time.....
5 years. The Stone Roses waited little over 5 years to release there second album and it bombed. Dr Dre has waited over a decade to release his 3rd album, and its already bombed.
They are the only 2 examples I can think of at the minute, but what im gettin at is that the longer you leave something the chances are you have a longer period of time to fuck it up.
And thats what The Shins have done.
The whole album sounds clean, safe, poppy and just a bit crap.
There are some nice little melodies knocking around , which you expect from this band, but they lack the slight edge that was a permanent fixture on past releases.
On there first 3 long players you got the feeling of excitement and adventure, and you were happy to be taken along for the ride. On Port Of Morrow you are bored of the journey after 3 or 4 songs.
The reason for this is unclear but I would suggest the departure of founding band members and using a producer whose best work has come in the form of Lily Allens "The Fear".
And maybe the songs just arent there? Even if all the slick production is stripped away, im not sure that this collection of tunes stands up on its own when put side by side next to there earlier work.
Its an album you find yourself wanting to like but ultimately giving up on it because when you listen to the Shins, it shouldnt be hard work. It should be effortless, easy and just, i dunno, "nice".
Port Of Morrow is like watching an episode of The US Office without Steve Carrell as the lead. Its still almost the same, there are some good moments that keep you watching, but you cant shake the nagging feeling that what your watching/listening to isnt as good as it once was.
I wouldnt say its a bad album, but its far from being good and it will take something quite drastic to make me want to listen to it again anytime soon. It probably deserves another chance to tap into my head, but im not in a giving mood and so The Shins can kindly fuck off for the time being.
I have just read Pitchforks review of this album, and they seemed to really like it. But what struck m about the review was the opening paragraph that listed several major events that have happened in the last 5 years. This particular line was interesting, "Pop music headed out to the club, mainstream hip-hop more or less went bust..."
I would of agreed with them had I not just listened to this, Nas' new tune. Enjoy.
Whats on its way?
2012 you cheeky little fucker, arent you full of suprises?
After the dirge that was 2011 I was hoping for 2012 to offer something...more. And thankfully thats exactly what its doing.
After nearly 2 years of demos, rants, messages, pictures, tweets and even more demos, Anton Newcombe & The Brian Jonestown Massacre have a new album coming out.
"Aufheben" which translates to "lift up" or "abolish" (a far better title and meaning than some previous titles) is due out on May 1st and is the first release in quite some time to feature some origional band members (other than Anton, obviously).
The bands constant line up changes has been well documented, and is now in excess of 50 members to of featured either on record or live.
However, over the last 4-5 years the bands live lineup has consisted of the same 7-8 members including founding members Matt Holywood and joel Gion.
In the studio however, Anton has worked with icelandic and german artists rather than the live outfit he takes on the road.
For this album however we see a return to the studio for Matt Holywood and also Will carruthers (spacemen 3, spiritualized) which has given the new songs a more "Jonestown" feel. It has also fueled speculation amongst fans that some songs from the new album will feature in the live setlist.
Whatever they choose to play live, it will be brilliant to see these guys on the road again.
Last time they played up here, the set was tight as hell and the misbehaviour we have come to expect was down to a minimum; they really felt like a tight nit band, stark contrast to how they were portrayed in the documentary "DIG!".
Now with the knowledge that Anton is working along side Matt & co in the studio again, and producing some of there best stuff for a good 5-10 years, its exciting times ahead for The BJM.
Aswell as that, Spiritualized have returned this year with a new album "Sweet Heart Sweet Light" due out soon (release date was pushed back, I think its due out April?) and a tour to boot.
Death in Vegas are currently on the road, playing Wrexhams Central Station in a matter of weeks.....
The Arctic Monkeys are turning out more and more stuff.... They dont seem to have an off button
Noel Gallagher is still on the road, taking his album all over the feckin place. Unfortunatly he has pushed back the release of his second album featuring The Amorphous Androgynous "based on the success of his first album". That makes no sense to me, but I guess when your Noel Gallagher you can do what you want?
Heres a taster of what that album has to offer. Release it now Noel for fucks sake....
What else.....
Beach Fossils had an EP out back end of last year so a new album should be round the corner.
The Shins defo have a new album on the way. Its been to long. Port Of Morrow (out March 23rd) will be the bands first release since 2007's Wincing The Night Away. New band members and a new label should mean a fresh new start for Zach Braffs best buds and im looking forward to some more soft ass puff rock
Word is MGMT are working on there 3rd album and I for one hope they go even more crazy. Take more acid lads, its good for you.
The Strokes are working on another album, following up last years Angels. I dont know about this to be honest, i cant really be bothered with the Strokes anymore, but they could suprise me.
Oh, and Craig David is in the studio.
After the dirge that was 2011 I was hoping for 2012 to offer something...more. And thankfully thats exactly what its doing.
After nearly 2 years of demos, rants, messages, pictures, tweets and even more demos, Anton Newcombe & The Brian Jonestown Massacre have a new album coming out.
"Aufheben" which translates to "lift up" or "abolish" (a far better title and meaning than some previous titles) is due out on May 1st and is the first release in quite some time to feature some origional band members (other than Anton, obviously).
The bands constant line up changes has been well documented, and is now in excess of 50 members to of featured either on record or live.
However, over the last 4-5 years the bands live lineup has consisted of the same 7-8 members including founding members Matt Holywood and joel Gion.
In the studio however, Anton has worked with icelandic and german artists rather than the live outfit he takes on the road.
For this album however we see a return to the studio for Matt Holywood and also Will carruthers (spacemen 3, spiritualized) which has given the new songs a more "Jonestown" feel. It has also fueled speculation amongst fans that some songs from the new album will feature in the live setlist.
Whatever they choose to play live, it will be brilliant to see these guys on the road again.
Last time they played up here, the set was tight as hell and the misbehaviour we have come to expect was down to a minimum; they really felt like a tight nit band, stark contrast to how they were portrayed in the documentary "DIG!".
Now with the knowledge that Anton is working along side Matt & co in the studio again, and producing some of there best stuff for a good 5-10 years, its exciting times ahead for The BJM.
Aswell as that, Spiritualized have returned this year with a new album "Sweet Heart Sweet Light" due out soon (release date was pushed back, I think its due out April?) and a tour to boot.
Death in Vegas are currently on the road, playing Wrexhams Central Station in a matter of weeks.....
The Arctic Monkeys are turning out more and more stuff.... They dont seem to have an off button
Noel Gallagher is still on the road, taking his album all over the feckin place. Unfortunatly he has pushed back the release of his second album featuring The Amorphous Androgynous "based on the success of his first album". That makes no sense to me, but I guess when your Noel Gallagher you can do what you want?
Heres a taster of what that album has to offer. Release it now Noel for fucks sake....
What else.....
Beach Fossils had an EP out back end of last year so a new album should be round the corner.
The Shins defo have a new album on the way. Its been to long. Port Of Morrow (out March 23rd) will be the bands first release since 2007's Wincing The Night Away. New band members and a new label should mean a fresh new start for Zach Braffs best buds and im looking forward to some more soft ass puff rock
Word is MGMT are working on there 3rd album and I for one hope they go even more crazy. Take more acid lads, its good for you.
The Strokes are working on another album, following up last years Angels. I dont know about this to be honest, i cant really be bothered with the Strokes anymore, but they could suprise me.
Oh, and Craig David is in the studio.
Its just a feckin list.....
Just saw a list online of "The top 10 Sigur Ros songs"
A few comments left by people who had read said list were less than positive.
Its only a feckin list.....
Top 10 Oasis songs
Listen Up
Columbia
Some Might Say
The Girl In The Dirty Shirt
Mucky Fingers
Rockin' Chair
Shock Of The Lightning
Sad Song
D'Yer Wanna Be A Spaceman
Songbird
Top 10 Beatles Songs
Come Together
Helter Skelter
Blackbird
I Should Of Known Better
Ticket To Ride
Penny Lane
She Said She Said
In My Life
All Ive Got To Do
Dig A Pony
Top 10 BJM songs
Nevertheless
That Girl Suicide
Supersonic
Whoever You Are
Wisdom
Straight Up & Down
In My Life
Donovan Said
Anenome
Whatever Hippie Bitch
Servo
Top 10 Bob Dylan songs
Spanish Harlem Incident
Like A Rolling Stone
Vission Of Johanna
Meet Me In The Morning
Mozambique
Corina Corina
It takes alot to laugh, it takes a train to cry
Drifters Escape
The Man In Me
Boots Of Spanish Leather
Top 10 Clinic songs
Animal/Human
Paradise
Welcome
For The Wars
The Majestic #2
Tomorrow
Mr Moonlight
T.K
Milk & Honey
Second Foot Stop
Top 10 Coral songs
Arabian Sand
Talkin Gypsy Market Blues
She Sings The Morning
Cobwebs
Late Afternoon
Keep Me Company
Migrane
A Warning To The Curious
Dreaming Of You
Something Inside Me
Top 10 BRMC songs
Evol
Mercy
Love Burns
666 Conducer
Bad Blood
Salvation
Howl
Heart & Soul
Pretend
Sympathetic Noose
Top 10 Bowie songs
Oh You Pretty Things
Heros
Life On Mars
Sorrow
The Man Who Sold The World
5 Years
Rebel rebel
Space Oddity
Ziggy Stardust
Young Americans
Top 10 Movie soundtracks
Easy Rider
50/50
Home Alone
Trainspotting
Pulp Fiction
O Brother, Where Art Thou?
Almost Famous
High Fidelity
The Royal Tenenbaums
Donnie Darko
Top 10 album covers
Pink Floyd - Dark Side Of The Moon
Oasis - Definitely Maybe
Black Mountain - Wilderness Heart
Led Zeppelin - Led Zeppelin 3
The Velvet Underground & Nico
The Clash - London Calling
Joy Division - Unknown Pleasures
NWA - Straight Outta Compton
Jimi Hendrix - Axis Blod As Love
Paul Simon - Graceland
Best band logos
The Cramps
The Who
Jamiroquai
ACDC
Sex Pistols
Yes
Led Zeppelin
RUN DMC
Nirvana
The Doors
Top 10 CAN songs
Thief
Little Star Of Bethlehem
Sing Swan Song
I'm So Green
Future Days
Full Moon On The Highway
Dizzy Dizzy
Paperhouse
Oh Yeah
Moonshake
Top 10 Black Angels songs
Science Killer
The Return
You On The Run
Black Grease
Bloodhounds On My Trail
The Prodigal Sun
Melonies Melody
Raindance Song
Bad Vibrations
Yellow Elevator
Top 10 Black Lips songs
Modern Art
Aiint No Deal
O KAtrina
Bad kids
Veni Vini Veci
Boomerang
Gentle Violence
Elijah
Old Man
It feels Alright
Top 10 Beta Band songs
Assesment
Dry The Rain
Needle In My Eye
Dog Got A Bone
Wonderful
Alleged
Its Over
Shes The One
I Know
Inner Meet Me
Top 10 Doors songs
Soul Kitchen
Light My Fire
Back Door Man
I Looked At You
LA Woman
Hyacinth House
Roadhouse Blues
Indian Summer
Love Street
When the Musics Over
Top 10 Rolling Stones songs
Sympathy For The Devil
Tumbling Dice
Under My Thumb
Play With Fire
Time Is On My Side
Not Fade Away
Get Off My Cloud
You Gotta Move
19th Nervous Breakdown
Stop Breaking Down
Top 10 Kinks songs
Dedicated Follower Of Fashion
Strangers
All Day And All Of The Night
See My Friend
Waterloo Sunset
Autumn Almanac
Victoria
Where Have All The Good Times Gone
A Well Respected Man
Im Not Like Everybody Else
Top 10 worst ever bands
Creed
The Kaiser Chiefs
Nickleback
The Darkness
The Fratellis
Black Eyed Peas (with Fergie)
Wet Wet Wet
Toploader
The Feeling
The Killers
Top 10 mongs
Phil Collins
50 Cent
James Blunt
Robbie Williams
Chris Martin
Suge Knight
Gary Glitter
The Jacksons
Andy Bell
Dermot O'Leary (presenting X-factor and being a complete wanker gets him involved)
Top 10 heros (not neccessarily the best musicians, just diamond geezers/broads still alive)
Lemmy
Noel Gallagher
Anton Newcombe
Snoop Dogg
Huey from The Fun Lovin Criminals
Dave Grohl
Zia Mccabe
Mani
Debbie Harry
Ray Manzarek
Top 10 Stone Roses songs
Waterfall
Mersey Paradise
Standing Here
Sally Cineman
All Across The Sands
Where Angels Play
Something Burning
Your Star Will Shine
Made Of Stone
I Wanna Be Adored
Top 10 Jam songs
English Rose
Little Boy Soldiars
Eton Rifles
Thats Entertainment
In The City
Pretty Green
To Be Someone
Fly
A Bomb In Wardour St
Down In The Tubestation At Midnight
Top 10 Kasabian songs
Shoot The Runner
Processed Beats
Reason Is Treason
LSF
Butcher Blues
Where Did All The Love Go
Secret Alphabets
Man Of Simple Pleasures
seek And Destroy
Club Foot
Top 10 Led Zeppelin songs
Whole Lotta Love
Travelling Riverside Blues
Black Dog
In The Evening
Going To California
When The Levee Breaks
How Many More Times
Thats The Way
The Lemon Song
Communication Breakdown
Top 10 Mazzy Star songs
Blue Flower
Flowers In December
Rhymes Of An Hour
Taste Of Blood
Before I Sleep
Into Dust
So Tonight That I Might See
Fade Into You
Shes My Baby
Unreflected
Top 10 Pink Floyd songs
Fearless
Sheep
One Of these Days
Wish You Were Here
Shine On You Crazy Diamond
Comfortably Numb
Bike
Speak To Me/Breathe
Time
Us And Them
Top 10 Spacemen 3/Spiritualized songs
Ode To Street Hassle
Walkin' With Jesus
Transparent Radiation
I Love You
Lord Can You Hear Me
Come Together
I Think Im In Love
Cop Shoot Cop
Lord Let It Rain on Me
If I Were With Her Now
Top 10 Strokes songs
I This It?
You Only Live Once
12:51
The Way It Is
The End Has No End
The Modern Age
Someday
Last Night
Hard To Explain
Reptillia
Top 10 KoL songs
Slow Night So Long
King Of The Rodeo
Day Old Blues
Joes Head
Trani
Dusty
Camaro
The Runner
Four Kicks
Talihina Sky
Top 10 Thee Oh Sees songs
Corrupted Coffin
Poison Finger
Guilded Cunt
Quadrospazzed
I Was Denied
Maria Stacks
Mega-Feast
Meat Step Lively
Dumb Drums
The Coconut
Top 10 Black Keys songs
Remember When (sides A & B)
All You Ever Wanted
I'll Be Your Man
Lonely Boy
Just Couldnt Tie Me Down
Girl Is On My Mind
Keep Me
Meet Me In The City
Unknown Brother
Everlasting Light
Top 10 Velvet Underground songs
Sweet Jane
I Cant Stand It
What Goes On
Some Kind Of Love
After Hours
Venus In Furs
There She Goes Again
The Black Angel Death Song
Pale Blue Eyes
All Tomorrows Parties
Top 10 Verve songs
This Is Music
Northern Soul
Bittersweet Symphony
Catching The Butterfly
Lucky Man
Butterfly
Slide Away
Virtual World
So It Goes
History
Top 10 Warlocks songs
Shake The Dope Out
Song For Nico
Moving & Shaking
Inside Outside (demo)
Stone Hearts
Its Just Like Surgery
So Paranoid
Jam Of The Zombies
Hurricane Heartattack
War Horses
Top 10 Wooden Shjips songs
Lucys Ride
Shine Like Suns
Flight
Looking Out
Contact
I Hear Vibrations
Fallin'
Aquarian Time
Blue Sky Bends
Black Smoke Rises
Top 10 Yo La Tengo songs
Sugarcube
Deeper Into Movies
Season Of The Shark
Speeding Motorcycle
Barnabiy Hardly Working
Little Eyes
From A Motel Six
Drug Test
By The Time It Gets Dark
Ashes On The Ground
Top 10 White Stripes songs
Icky Thump
Fell In Love With A Girl
Sister Do You Know My Name
A Boys Best Friend
Death Letter
Appleblossom
Jimmy The Exploder
We're Going To Be Friends
Do
Im Lonely (but aint that lonely yet)
Top 10 Arctic Monkeys songs
Old Yellow Bricks
Only Ones Who Knows
Fire And The Thud
Cornerstone
Bigger Boys And Stolen Sweethearts
Black Treacle
Dont Sit Down Cos Ive Moved Ya Chair
Fake Tales Of San Fransisco
From The Ritz To The Rubble
A Certain Romance
Top 10 The Charlatans songs
The Only One I know
Black And Blue Eyes
Here Comes A Soul Saver
One To Another
North Country Boy
Tellin' Stories
You're A Big Girl Now
Try Again Today
Oh! VAnity
I Dont Care Where You Live
Top 10 The Clash songs
Complete Control
Bankrobber
Hate And War
Police And Thieves
(White Man) In Hammersmith Palais
Jimmy Jazz
Spanish Bombs
Lost In The Supermarket
Julies Been Working For The Drug Squad
Stay Free
Top 10 Ian Brown songs
Set My Baby Free
My Star
F.E.A.R
Stellify
Stardust
Corpses In Their Mouthes
Longsight M13
Keep What You Got
Golden Gaze
Babasonics
Top 10 Jimmi Hendrix songs
Castles Made Of Sand
Are You Experienced
51st Anniversary
Sweet Angel (Angel)
Little Wing
Crosstown Traffic
Burning The Midnight Lamp
Bold As Love
Hey Joe
All Along The Watchtower
A few comments left by people who had read said list were less than positive.
Its only a feckin list.....
Top 10 Oasis songs
Listen Up
Columbia
Some Might Say
The Girl In The Dirty Shirt
Mucky Fingers
Rockin' Chair
Shock Of The Lightning
Sad Song
D'Yer Wanna Be A Spaceman
Songbird
Top 10 Beatles Songs
Come Together
Helter Skelter
Blackbird
I Should Of Known Better
Ticket To Ride
Penny Lane
She Said She Said
In My Life
All Ive Got To Do
Dig A Pony
Top 10 BJM songs
Nevertheless
That Girl Suicide
Supersonic
Whoever You Are
Wisdom
Straight Up & Down
In My Life
Donovan Said
Anenome
Whatever Hippie Bitch
Servo
Top 10 Bob Dylan songs
Spanish Harlem Incident
Like A Rolling Stone
Vission Of Johanna
Meet Me In The Morning
Mozambique
Corina Corina
It takes alot to laugh, it takes a train to cry
Drifters Escape
The Man In Me
Boots Of Spanish Leather
Top 10 Clinic songs
Animal/Human
Paradise
Welcome
For The Wars
The Majestic #2
Tomorrow
Mr Moonlight
T.K
Milk & Honey
Second Foot Stop
Top 10 Coral songs
Arabian Sand
Talkin Gypsy Market Blues
She Sings The Morning
Cobwebs
Late Afternoon
Keep Me Company
Migrane
A Warning To The Curious
Dreaming Of You
Something Inside Me
Top 10 BRMC songs
Evol
Mercy
Love Burns
666 Conducer
Bad Blood
Salvation
Howl
Heart & Soul
Pretend
Sympathetic Noose
Top 10 Bowie songs
Oh You Pretty Things
Heros
Life On Mars
Sorrow
The Man Who Sold The World
5 Years
Rebel rebel
Space Oddity
Ziggy Stardust
Young Americans
Top 10 Movie soundtracks
Easy Rider
50/50
Home Alone
Trainspotting
Pulp Fiction
O Brother, Where Art Thou?
Almost Famous
High Fidelity
The Royal Tenenbaums
Donnie Darko
Top 10 album covers
Pink Floyd - Dark Side Of The Moon
Oasis - Definitely Maybe
Black Mountain - Wilderness Heart
Led Zeppelin - Led Zeppelin 3
The Velvet Underground & Nico
The Clash - London Calling
Joy Division - Unknown Pleasures
NWA - Straight Outta Compton
Jimi Hendrix - Axis Blod As Love
Paul Simon - Graceland
Best band logos
The Cramps
The Who
Jamiroquai
ACDC
Sex Pistols
Yes
Led Zeppelin
RUN DMC
Nirvana
The Doors
Top 10 CAN songs
Thief
Little Star Of Bethlehem
Sing Swan Song
I'm So Green
Future Days
Full Moon On The Highway
Dizzy Dizzy
Paperhouse
Oh Yeah
Moonshake
Top 10 Black Angels songs
Science Killer
The Return
You On The Run
Black Grease
Bloodhounds On My Trail
The Prodigal Sun
Melonies Melody
Raindance Song
Bad Vibrations
Yellow Elevator
Top 10 Black Lips songs
Modern Art
Aiint No Deal
O KAtrina
Bad kids
Veni Vini Veci
Boomerang
Gentle Violence
Elijah
Old Man
It feels Alright
Top 10 Beta Band songs
Assesment
Dry The Rain
Needle In My Eye
Dog Got A Bone
Wonderful
Alleged
Its Over
Shes The One
I Know
Inner Meet Me
Top 10 Doors songs
Soul Kitchen
Light My Fire
Back Door Man
I Looked At You
LA Woman
Hyacinth House
Roadhouse Blues
Indian Summer
Love Street
When the Musics Over
Top 10 Rolling Stones songs
Sympathy For The Devil
Tumbling Dice
Under My Thumb
Play With Fire
Time Is On My Side
Not Fade Away
Get Off My Cloud
You Gotta Move
19th Nervous Breakdown
Stop Breaking Down
Top 10 Kinks songs
Dedicated Follower Of Fashion
Strangers
All Day And All Of The Night
See My Friend
Waterloo Sunset
Autumn Almanac
Victoria
Where Have All The Good Times Gone
A Well Respected Man
Im Not Like Everybody Else
Top 10 worst ever bands
Creed
The Kaiser Chiefs
Nickleback
The Darkness
The Fratellis
Black Eyed Peas (with Fergie)
Wet Wet Wet
Toploader
The Feeling
The Killers
Top 10 mongs
Phil Collins
50 Cent
James Blunt
Robbie Williams
Chris Martin
Suge Knight
Gary Glitter
The Jacksons
Andy Bell
Dermot O'Leary (presenting X-factor and being a complete wanker gets him involved)
Top 10 heros (not neccessarily the best musicians, just diamond geezers/broads still alive)
Lemmy
Noel Gallagher
Anton Newcombe
Snoop Dogg
Huey from The Fun Lovin Criminals
Dave Grohl
Zia Mccabe
Mani
Debbie Harry
Ray Manzarek
Top 10 Stone Roses songs
Waterfall
Mersey Paradise
Standing Here
Sally Cineman
All Across The Sands
Where Angels Play
Something Burning
Your Star Will Shine
Made Of Stone
I Wanna Be Adored
Top 10 Jam songs
English Rose
Little Boy Soldiars
Eton Rifles
Thats Entertainment
In The City
Pretty Green
To Be Someone
Fly
A Bomb In Wardour St
Down In The Tubestation At Midnight
Top 10 Kasabian songs
Shoot The Runner
Processed Beats
Reason Is Treason
LSF
Butcher Blues
Where Did All The Love Go
Secret Alphabets
Man Of Simple Pleasures
seek And Destroy
Club Foot
Top 10 Led Zeppelin songs
Whole Lotta Love
Travelling Riverside Blues
Black Dog
In The Evening
Going To California
When The Levee Breaks
How Many More Times
Thats The Way
The Lemon Song
Communication Breakdown
Top 10 Mazzy Star songs
Blue Flower
Flowers In December
Rhymes Of An Hour
Taste Of Blood
Before I Sleep
Into Dust
So Tonight That I Might See
Fade Into You
Shes My Baby
Unreflected
Top 10 Pink Floyd songs
Fearless
Sheep
One Of these Days
Wish You Were Here
Shine On You Crazy Diamond
Comfortably Numb
Bike
Speak To Me/Breathe
Time
Us And Them
Top 10 Spacemen 3/Spiritualized songs
Ode To Street Hassle
Walkin' With Jesus
Transparent Radiation
I Love You
Lord Can You Hear Me
Come Together
I Think Im In Love
Cop Shoot Cop
Lord Let It Rain on Me
If I Were With Her Now
Top 10 Strokes songs
I This It?
You Only Live Once
12:51
The Way It Is
The End Has No End
The Modern Age
Someday
Last Night
Hard To Explain
Reptillia
Top 10 KoL songs
Slow Night So Long
King Of The Rodeo
Day Old Blues
Joes Head
Trani
Dusty
Camaro
The Runner
Four Kicks
Talihina Sky
Top 10 Thee Oh Sees songs
Corrupted Coffin
Poison Finger
Guilded Cunt
Quadrospazzed
I Was Denied
Maria Stacks
Mega-Feast
Meat Step Lively
Dumb Drums
The Coconut
Top 10 Black Keys songs
Remember When (sides A & B)
All You Ever Wanted
I'll Be Your Man
Lonely Boy
Just Couldnt Tie Me Down
Girl Is On My Mind
Keep Me
Meet Me In The City
Unknown Brother
Everlasting Light
Top 10 Velvet Underground songs
Sweet Jane
I Cant Stand It
What Goes On
Some Kind Of Love
After Hours
Venus In Furs
There She Goes Again
The Black Angel Death Song
Pale Blue Eyes
All Tomorrows Parties
Top 10 Verve songs
This Is Music
Northern Soul
Bittersweet Symphony
Catching The Butterfly
Lucky Man
Butterfly
Slide Away
Virtual World
So It Goes
History
Top 10 Warlocks songs
Shake The Dope Out
Song For Nico
Moving & Shaking
Inside Outside (demo)
Stone Hearts
Its Just Like Surgery
So Paranoid
Jam Of The Zombies
Hurricane Heartattack
War Horses
Top 10 Wooden Shjips songs
Lucys Ride
Shine Like Suns
Flight
Looking Out
Contact
I Hear Vibrations
Fallin'
Aquarian Time
Blue Sky Bends
Black Smoke Rises
Top 10 Yo La Tengo songs
Sugarcube
Deeper Into Movies
Season Of The Shark
Speeding Motorcycle
Barnabiy Hardly Working
Little Eyes
From A Motel Six
Drug Test
By The Time It Gets Dark
Ashes On The Ground
Top 10 White Stripes songs
Icky Thump
Fell In Love With A Girl
Sister Do You Know My Name
A Boys Best Friend
Death Letter
Appleblossom
Jimmy The Exploder
We're Going To Be Friends
Do
Im Lonely (but aint that lonely yet)
Top 10 Arctic Monkeys songs
Old Yellow Bricks
Only Ones Who Knows
Fire And The Thud
Cornerstone
Bigger Boys And Stolen Sweethearts
Black Treacle
Dont Sit Down Cos Ive Moved Ya Chair
Fake Tales Of San Fransisco
From The Ritz To The Rubble
A Certain Romance
Top 10 The Charlatans songs
The Only One I know
Black And Blue Eyes
Here Comes A Soul Saver
One To Another
North Country Boy
Tellin' Stories
You're A Big Girl Now
Try Again Today
Oh! VAnity
I Dont Care Where You Live
Top 10 The Clash songs
Complete Control
Bankrobber
Hate And War
Police And Thieves
(White Man) In Hammersmith Palais
Jimmy Jazz
Spanish Bombs
Lost In The Supermarket
Julies Been Working For The Drug Squad
Stay Free
Top 10 Ian Brown songs
Set My Baby Free
My Star
F.E.A.R
Stellify
Stardust
Corpses In Their Mouthes
Longsight M13
Keep What You Got
Golden Gaze
Babasonics
Top 10 Jimmi Hendrix songs
Castles Made Of Sand
Are You Experienced
51st Anniversary
Sweet Angel (Angel)
Little Wing
Crosstown Traffic
Burning The Midnight Lamp
Bold As Love
Hey Joe
All Along The Watchtower
Subscribe to:
Posts (Atom)