So Im back from football. We lost 4-1 and I didnt break any legs; not mine nor anyone elses. I didnt really want to if truth be told, It was all front. I didnt even score our 1 goal. I blame my team mates.
But seeing as Im back and have nothing to do right now I thought I would continue this thing. Writing that little bit of rubbish earlier has got me back on track...ish.
I havent really got much to talk about as far as music goes, I could post a load of obscure tunes but I dont think anyone really listens to them.
Infact, I dont think anyone even bothers reading this so what im going to do is review an album I earlier panned because its the lazy unimaginative thing to do, and as no one is reading or listening, I can do what i want.
So without further "Apu" (simpsons), heres my review of Beady Eyes - Different Gear, Still Speeding.
(a few posts ago I slated the tunes I had heard from the album, but left the door open for the band to proove themselves when the real deal came out - so this is that.)
Its hard to know where to start with an album thats been recorded by 4/5ths of the band I used to consider my favourate of all time. I would still say Oasis are probably the most important band within my lifetime, but its now easier to see there weaknesses for what they were. The fan boy shades have been taken off and I can now safely say that yes, they did peak on there first 2 albums (its hard not to when its those 2 albums), and yes, they released some pretty mediocre stuff post '97.
But one thing that became increasingly more evident the longer the band went on was the divide between noel gallagher and the rest of the band.
On there last 2 albums, Noel sang the majority of the songs he wrote. in the past, he wrote all the songs and Liam sang them, but the longer Oasis went on the Noel songs were almost halved on each record and the rest was filled in my the remaining band members.
On "Dig Out your soul", there last album, Noel wrote 6 songs and sang 3 of them. These were heavy, psychedelic numbers that were cutting loose from the old Oasis sound. the rest of the album paled in comparison, and by listening back to that album, you can hear the divide in the songs and it should of been obvious to everyone that Oasis were almost spent as a band.
So when Beady Eye came about, the 4/5ths of Oasis I would consider excellent musicians but weak songwriters, the alarm bells went off and I feared for the worse.
The first 3 songs that came about, The Roller, Bring The Light and 4 Letter Word, did not ease my fears. Infact, they left me feeling pretty numb with only 4 Letter Word being remotely interesting.
After listening back to those 3 songs when I got the album in full my opinion of the album opener (4 letter word) did change somewhat. Its Liam and co putting a big fuck off line underneath Oasis and starting again.
Liams vocals, as they are throughout the record, are excellent. Infact he probably hasnt sounded this good since the 90's. His aggression is there for all to hear as he snarls "nothing ever lasts....FOREVER" but rather than the croaky shouts of the more recent past, hes actually singing again.
And with the James Bond style strings and rumbling guitar, the album is off to a decent start.
Unfortunatly it doesnt contiinue down this road
"Millionare" is an jaunty accoustic number that skips along doing nothing in particular other than boast some pretty trippy lyrics about, of all peaople, Salvidor Dali.
"The Roller" is nothing but a mediocre pop song that rips off John Lennon and "Beatles & Stones" has one of the most cringeworthy titles in the history of music - and the song itself is another harmless but mediocre tune that wouldnt of even made it as an Oasis bside during there pomp.
One thing is for certain though, they arent trying to be Oasis and you have to applaud them for this. it would of been very easy to simply copy a formular that they know works but in all honesty, I think Oasis tried to do just that with there album "Heathen Chemistry". That was the sound of a band trying to sound like themselves, and other than a few exceptions (songbird & hindu times), it didnt work.
"Wind Up Dream" & "Bring The Light" are 2 examples of Beady Eye not trying to be Oasis. the honky tonk piano of bring the light is a million miles from anything Oasis did and its split opinion right down the middle. Some love it, others hate it. I still havent listened to it all the way through and I still maintain it should of been a 2 min song. It might work live though - who knows.
As for "Wind Up Dread", the only thing that grabs my attention is a nifty harmonica solo, but the song never elivates itself above "meh, its ooooooook I suppose...."
And that is the overall feeling I get from the album.
Its full of alright songs but there is nothing on here that makes you sit up and think, wow, whats this?!
Its also quite soft, which is no bad thing, but when you have heard Liam gallagher sing songs like "Morning Glory" all your life, you expect a bit more bollocks to an album hes in charge of.
Alot of the songs on here are accoustic ballads, heavily produced by Steve Lillywhite overloading them with strings and reverb to give certain tracks a psychodelic feel.
His production throughout is pretty much on the money but he cant do anything for songs like Liams 2nd attempt at bettering Songbird. "For Anyone" is quite offensive at just how poppy it is. I swear to god if I was told this was McFly or fuckin, Take That, I wouldnt be suprised.
liam does redeem himself though with the 2 long players on the record, both "Wigwam" and "The Morning Sun" clock in at over 6 mins and are in my opinion the albums highlights.
Wigwam is a soulful tale of a drunken walk home that builds up to 3 min psychodelic outro with Liam proclaiming that hes "coming up" complete with choir backing vocals.
"Morning Sun" is Liams sob story about Noel and the Oasis split, featuring some of his most personal lyrics.
"You'll never know, unless you try, your blinded by what/you idolise, I stand alone, nobody knows, the morning sun has rose.
Hes in my mind, hes in my soul, hes even in my/rock'n'roll. i stand alone, nobody knows, the morning sun has rose"
Now if thats not about Noel then im Tony McCarroll.
Its a fitting way to end the album, and it is actually quite beautiful.
However, its not enough to lift what was a very mediocre album from being just that, mediocre.
Im not suprised the album has got critics confused. Non of them seem to know what to do. they cant slag it off because its not all bad. For the most part its harmless fun that wont offend anyone. Not something I ever thought I would say about something Liam gallagher is involved in!
And at least Beady Eye have found a sound for themselves but whether that sound is to everyones taste remains to be seen.
What the album has done though, for all its faults, has shown that the 4/5ths of Oasis without Noel are happy, you can hear it in the songs cos theyre all so fuckin soft and cheerful! And they have well and truly put the ball in Noels court and I for one cant wait with what he returns.
This is where you would usually see a mark out of 10, or 5, or some gold stars, or a fuckin nipple.
But im just gonna leave it like this. Oasis fans will quite like this album because its Liam singing, and there are good songs on here.
Oasis haters, will hate it. Probably.
I think its very very average, boarderline poor if it wasnt for 4 letter word, wigwam and morning sun and I cant ever see me going back for a listen to "for anyone" or "stanidng on the edge of noise" and about 5 other songs on here......
I hope that helps you decide whether or not to download it illegally or not.
Peace & Love
This could be anything you want it to be. As of right now, its nothing. An empty vessel of bad grammar littered with doubt.
Busy
Its been a busy last few weeks meaning this blog has been put on the back burner for the time being.
I wont go into detail because I will probably bore you to tears but family shit has had to be put first and then secondly I have been working hard at getting a job. I say working hard, I actually just mean turning up to interviews at the right times and making sure I say all the right things.
Went well though, thanks for asking.
A month or two down the line I will hopefully have a new home set up in sunny manchester just around the corner from Old Trafford which will be just lovely.
So in homage to that, heres some Manchester bands.
Cant quite beat it when a crowd takes over the vocals....
Anyway, cant stop and chat. Got some football to play, gonna break some legs cos im fuckin boss meeeeeeeeeeeeeht.
Inabit
I wont go into detail because I will probably bore you to tears but family shit has had to be put first and then secondly I have been working hard at getting a job. I say working hard, I actually just mean turning up to interviews at the right times and making sure I say all the right things.
Went well though, thanks for asking.
A month or two down the line I will hopefully have a new home set up in sunny manchester just around the corner from Old Trafford which will be just lovely.
So in homage to that, heres some Manchester bands.
Cant quite beat it when a crowd takes over the vocals....
Anyway, cant stop and chat. Got some football to play, gonna break some legs cos im fuckin boss meeeeeeeeeeeeeht.
Inabit
Out of touch and out of mind
According to Alan Mcgee, founder of creation records and the man responsible for discovering the likes of Oasis, Primal Scream & My Bloody Valentine, illegal downloading has murdered the music business.
I was going to spend some of this weekend focusing on more movie/music related topics, but this
blog Alan has composed made me change my mind and focus on the angry Scotsman's out of touch point of view.
For those of you to lazy to read the article yourself, I will quickly sum it up for you because I care that much and being one of the lazy people myself, I understand your plight.
Basically, EMI - the last big British record label who own the rights to The Beatles, Coldplay....erghm, Robbie Williams - has been bought out by US bank Citigroup. They will take the reigns, and the labels £1.2 billion debt, until a new buyer is found. It was originally bought out in 2007 by some bloke called Guy Hands who splashed a couple of billion quid to land the deal. His timing was horrifically beautiful because after splashing the cash, the market crashed. "Moneygeddon" (as in the credit crunch) happened and the world went mental. He lost a shit load of coin and saw his prize artists such as Radiohead and Macca up and leave the label in protest of what had become of it.
It was a mess, and so Citigroup have come in as a stop gap to try and clean some of it up.
Yes, Citigroup. The same Citigroup that went bust during the credit crunch and is now limping along on federal funds. Hilarious.
Does all that make sense? Basically EMI are in serious debt and dieing (as with most of record labels), to solve the problem they have been bought out by venture capitalists who borrowed money from banks.
Thats basically the situation EMI are in.
Alan Mcgee blames illegal downloading for this.
"EMI’s problems should be a wake-up call. How did they get into this mess? It all comes back to the impact of illegal downloading. We have to change the legislation in this country and come down much harder on piracy. Otherwise guys in little bands starting out now are never going to be the next Rolling Stones. When you download an album illegally, it’s not the record company guys that get fucked – those people are still on massive salaries – it’s 19-year-old kids, it’s guys in bands making £100 a gig."
Jesus Alan, what decade is it? First things first, illegal downloading isn't killing the music business. The record company's are killing themselves. They've dug there grave, tied the noose and loaded the gun themselves.
The music industry has changed so much over the years.
In the 60's you had record companies being set up and ran by fans of music. If someone liked a band, they would sign them. For the most part the people involved within the industry were in it for the music. Of course they royally fucked up along the way, but they were the first ones so I guess they re entitled to make a few mistakes.
Into the 70's but especially the 80's the music industry became a business. It became about making money and not about the music. Corporate executives were now in charge of what was being released. Do you think they gave a fuck about the music they were putting out? Of course not, they just wanted to know if it would make money and vast amounts of money were thrown at acts to hit certain demographics to ensure they made a profit.
This carried on into the 90's but as we approached the millennium the Internet had started to rear its gigantic swinging cock to fuck everything up for the men in suits.
People were all of a sudden given a choice of downloading an album for free online, or going into a shop and spending £15 (or if it was a Beatles album, £20 and upwards). What do you think people are going to do?
The record companies simply didnt evolve with the times. They had 20-30 years of dominance within the industry. They were in charge of not only there artists, but also the music buying public.
Labels could sign a band, demand a hit and if one was not forthcoming the band would be dropped in an instant, not giving people a chance to experience what these bands could potentially achieve.
The labels said what went, and that was that.
And they thought it would last forever - at least that's how it appears. Record labels simply didn't move with the times. You cant stop technology having an impact on people. If people start downloading songs online and find that they can not only get what they want but have whole new scenes and artists opened up to them and readily available, thats what they are going to do.
The Internet is so huge and so powerful now, some cunt in a suit on the 50th floor of some tower in some city aint gonna have the same power they had 15-20 years ago.
But yet they still try. These people are so arrogant and blinkered they cant see what is happening to there business.
And its sad that the once anti capitalist rebel leader of creation records is one of these people.
"We have to change the legislation in this country and come down much harder on piracy"
That is such backwards old school thinking. The times have changed Alan, get fuckin used to it. The Internet is readily available to millions and millions of people. Do you honestly think by "cracking down" on piracy is going to work? Is it fuck. Its not going to stop anyone.
Take Americas war on drugs.
"We are in a war with drugs, we need to stop people taking drugs cos its destroying our country and our economy and it makes me sad and I dont like people taking drugs so Im going to start a war with drugs blah blah hudhfviudnhvciucudn...." is what some American politician probably said.
Its a stupid, stupid policy that will never work. Drugs are available, they always will be because people like taking drugs - its human nature. Thats just the way it is, and your not going to stop that.
Its the same as piracy within music, its there and people are going to do it no matter what.
The record labels havent moved on from the 80's. They are stuck in a time warp that will eventually kill them off. There are a few indie labels knocking about who are getting the gist and they should be able to survive, but the likes of EMI are on there last legs and they only have themselves to blame, not illegal downloading.
Alan also argues that new bands arent going to get a chance to become the next Rolling Stones and that bands wont be given chance to evolve the same way they could do back in the 80's.
Utter shite again.
If anything, downloading has opened up doors for new bands to get there music heard. they no longer have to pander to the whim of a prick in a suit who could drop them at any given moment because they didnt make a quarterly profit.
Bands can now easily set up there own sites and stream there music online which in turn will enable them to build up a fan base (providing they are any good). Then the money comes in by gigging and selling merchandise. The public arent going to stop going to concerts. New music festivals are always popping up and are attended by millions of people across the world. this is where people spend there money now, by going to live gigs, not forking out ridiculous amounts of money on a CD whose profits line the pockets of record label execs.
Alans argument centres around making money when he used to be about the music.
And thats why his, and many other labels have gone bust.
To quote the mighty Noel Gallagher (one of Alans bezzy mates) "Its not about you, its not about me, its not about Oasis........Its about music". Maybe Noel should remind him of this?
Watch this video from about 5.25min. Its only a 20 second snippet but it sums it up
I was going to spend some of this weekend focusing on more movie/music related topics, but this
blog Alan has composed made me change my mind and focus on the angry Scotsman's out of touch point of view.
For those of you to lazy to read the article yourself, I will quickly sum it up for you because I care that much and being one of the lazy people myself, I understand your plight.
Basically, EMI - the last big British record label who own the rights to The Beatles, Coldplay....erghm, Robbie Williams - has been bought out by US bank Citigroup. They will take the reigns, and the labels £1.2 billion debt, until a new buyer is found. It was originally bought out in 2007 by some bloke called Guy Hands who splashed a couple of billion quid to land the deal. His timing was horrifically beautiful because after splashing the cash, the market crashed. "Moneygeddon" (as in the credit crunch) happened and the world went mental. He lost a shit load of coin and saw his prize artists such as Radiohead and Macca up and leave the label in protest of what had become of it.
It was a mess, and so Citigroup have come in as a stop gap to try and clean some of it up.
Yes, Citigroup. The same Citigroup that went bust during the credit crunch and is now limping along on federal funds. Hilarious.
Does all that make sense? Basically EMI are in serious debt and dieing (as with most of record labels), to solve the problem they have been bought out by venture capitalists who borrowed money from banks.
Thats basically the situation EMI are in.
Alan Mcgee blames illegal downloading for this.
"EMI’s problems should be a wake-up call. How did they get into this mess? It all comes back to the impact of illegal downloading. We have to change the legislation in this country and come down much harder on piracy. Otherwise guys in little bands starting out now are never going to be the next Rolling Stones. When you download an album illegally, it’s not the record company guys that get fucked – those people are still on massive salaries – it’s 19-year-old kids, it’s guys in bands making £100 a gig."
Jesus Alan, what decade is it? First things first, illegal downloading isn't killing the music business. The record company's are killing themselves. They've dug there grave, tied the noose and loaded the gun themselves.
The music industry has changed so much over the years.
In the 60's you had record companies being set up and ran by fans of music. If someone liked a band, they would sign them. For the most part the people involved within the industry were in it for the music. Of course they royally fucked up along the way, but they were the first ones so I guess they re entitled to make a few mistakes.
Into the 70's but especially the 80's the music industry became a business. It became about making money and not about the music. Corporate executives were now in charge of what was being released. Do you think they gave a fuck about the music they were putting out? Of course not, they just wanted to know if it would make money and vast amounts of money were thrown at acts to hit certain demographics to ensure they made a profit.
This carried on into the 90's but as we approached the millennium the Internet had started to rear its gigantic swinging cock to fuck everything up for the men in suits.
People were all of a sudden given a choice of downloading an album for free online, or going into a shop and spending £15 (or if it was a Beatles album, £20 and upwards). What do you think people are going to do?
The record companies simply didnt evolve with the times. They had 20-30 years of dominance within the industry. They were in charge of not only there artists, but also the music buying public.
Labels could sign a band, demand a hit and if one was not forthcoming the band would be dropped in an instant, not giving people a chance to experience what these bands could potentially achieve.
The labels said what went, and that was that.
And they thought it would last forever - at least that's how it appears. Record labels simply didn't move with the times. You cant stop technology having an impact on people. If people start downloading songs online and find that they can not only get what they want but have whole new scenes and artists opened up to them and readily available, thats what they are going to do.
The Internet is so huge and so powerful now, some cunt in a suit on the 50th floor of some tower in some city aint gonna have the same power they had 15-20 years ago.
But yet they still try. These people are so arrogant and blinkered they cant see what is happening to there business.
And its sad that the once anti capitalist rebel leader of creation records is one of these people.
"We have to change the legislation in this country and come down much harder on piracy"
That is such backwards old school thinking. The times have changed Alan, get fuckin used to it. The Internet is readily available to millions and millions of people. Do you honestly think by "cracking down" on piracy is going to work? Is it fuck. Its not going to stop anyone.
Take Americas war on drugs.
"We are in a war with drugs, we need to stop people taking drugs cos its destroying our country and our economy and it makes me sad and I dont like people taking drugs so Im going to start a war with drugs blah blah hudhfviudnhvciucudn...." is what some American politician probably said.
Its a stupid, stupid policy that will never work. Drugs are available, they always will be because people like taking drugs - its human nature. Thats just the way it is, and your not going to stop that.
Its the same as piracy within music, its there and people are going to do it no matter what.
The record labels havent moved on from the 80's. They are stuck in a time warp that will eventually kill them off. There are a few indie labels knocking about who are getting the gist and they should be able to survive, but the likes of EMI are on there last legs and they only have themselves to blame, not illegal downloading.
Alan also argues that new bands arent going to get a chance to become the next Rolling Stones and that bands wont be given chance to evolve the same way they could do back in the 80's.
Utter shite again.
If anything, downloading has opened up doors for new bands to get there music heard. they no longer have to pander to the whim of a prick in a suit who could drop them at any given moment because they didnt make a quarterly profit.
Bands can now easily set up there own sites and stream there music online which in turn will enable them to build up a fan base (providing they are any good). Then the money comes in by gigging and selling merchandise. The public arent going to stop going to concerts. New music festivals are always popping up and are attended by millions of people across the world. this is where people spend there money now, by going to live gigs, not forking out ridiculous amounts of money on a CD whose profits line the pockets of record label execs.
Alans argument centres around making money when he used to be about the music.
And thats why his, and many other labels have gone bust.
To quote the mighty Noel Gallagher (one of Alans bezzy mates) "Its not about you, its not about me, its not about Oasis........Its about music". Maybe Noel should remind him of this?
Watch this video from about 5.25min. Its only a 20 second snippet but it sums it up
The White Stripes have left the building
Shit.
No more White Stripes.
This is a shame for a few reasons. 1, they were a great band. 2, they crossed over in a big way but continued to make heavy rockin blues music - something the charts hadnt seen in years. 3, does this mean we wont get to see Meg Whites big 'ol titties bouncing around anymore? 4, Jack White is gonna make another Dead Weather album aint he, which although aint bad - its just not as good as the 'stripes. 5, no more tits.
What it hopefully means though, and maybe im being too optimistic here, but by The White Stripes fuckin off it leaves a hole to be filled....I will let you come up with your own "Meg White/filled hole" joke yourself.
maybe, just maybe, bands such as Dead Meadow, Black Mountain and The Black Keys will start getting a bit more attention from the main stream. Everyone needs a blues fix occasionaly and these bands can now step up.
They are already established, and with the Black keys already getting some attention from the general public, things are looking up.
It could be a good thing for guitar based blues and hopefully what The White Stripes have done is opened the door and left it ajar for others to come through.
Either that or we get another dose of bath fart in the form of this shit...
Its up to you...........woooooooooooooooooooooooooooooooooooooooooooooo, scary
No more White Stripes.
This is a shame for a few reasons. 1, they were a great band. 2, they crossed over in a big way but continued to make heavy rockin blues music - something the charts hadnt seen in years. 3, does this mean we wont get to see Meg Whites big 'ol titties bouncing around anymore? 4, Jack White is gonna make another Dead Weather album aint he, which although aint bad - its just not as good as the 'stripes. 5, no more tits.
What it hopefully means though, and maybe im being too optimistic here, but by The White Stripes fuckin off it leaves a hole to be filled....I will let you come up with your own "Meg White/filled hole" joke yourself.
maybe, just maybe, bands such as Dead Meadow, Black Mountain and The Black Keys will start getting a bit more attention from the main stream. Everyone needs a blues fix occasionaly and these bands can now step up.
They are already established, and with the Black keys already getting some attention from the general public, things are looking up.
It could be a good thing for guitar based blues and hopefully what The White Stripes have done is opened the door and left it ajar for others to come through.
Either that or we get another dose of bath fart in the form of this shit...
Its up to you...........woooooooooooooooooooooooooooooooooooooooooooooo, scary
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